![]() ![]() ![]() This article assumes that both the early and late twentieth century are transformative eras - and, focusing first on an earlier twentieth-century story by Edogawa, and then the late twentieth-century work of Miyazaki (and other anime creators), it views the two eras as a relation between filmic and ' anime -ic' conditions. ![]() This is not altogether new: earlier in the twentieth century, for example, Edogawa Rampo depicted the onset of modern conditions in Japan in terms of filmic modes of orientation. The influence of Miyazaki Hayao,whose animated films consistently break Japanese film box-office records, and those of Japanese anime in general, is locatable within an increasingly global interest in new media - an interest that is accompanied by a sense that new media are inaugurating new modes of sociality. ![]()
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